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	<updated>2026-04-12T22:56:32Z</updated>
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		<title>173.237.182.86: Created page with &quot;This is a really quick, no fluff, blueprint of how to create a horror script.  A horror movie has certain guidelines. If you break too a lot of the audience will be disappointed....&quot;</title>
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		<updated>2013-04-06T11:36:57Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;This is a really quick, no fluff, blueprint of how to create a horror script.  A horror movie has certain guidelines. If you break too a lot of the audience will be disappointed....&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;This is a really quick, no fluff, blueprint of how to create a horror script.&lt;br /&gt;
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A horror movie has certain guidelines. If you break too a lot of the audience will be disappointed.&lt;br /&gt;
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This is a very quick, no fluff, blueprint of how to write a horror script.&lt;br /&gt;
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1. The Hook. Begin with a bang. Step correct into a suspense scene. (&amp;quot;Scream&amp;quot; opens with a terrifying sequence with Drew Barrymore on the phone with a killer)&lt;br /&gt;
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two. The Flaw. Introduce your hero. Give him a flaw. Before you can put your hero in jeopardy we must care for him. We must want our hero to succeed. So make him human. (In &amp;quot;Indicators&amp;quot; Mel Gibson plays a priest who has lost his faith soon after his wife died)&lt;br /&gt;
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three. The Worry. A variant of The Flaw. The hero has a fear. Maybe a worry of heights, or claustrophobia. (In &amp;quot;Jaws&amp;quot; Roy Scheider has a fear of water. At the finish he has to conquer his fear by going out onto the ocean to kill the shark)&lt;br /&gt;
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four. No Escape. Have your hero at an isolated location exactly where he can't escape the horror. (Like the hotel in &amp;quot;The Shining&amp;quot;)&lt;br /&gt;
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5. Foreplay. Tease the audience. Make them jump at scenes that seem scary -- but turn out to be totally regular. (Like the cat jumping out of the closet) Give them some much more foreplay ahead of bringing in the true monster.&lt;br /&gt;
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6. Evil Attacks. A couple of occasions in the course of the middle of the script show how evil the monster can be -- as it attacks its victims.&lt;br /&gt;
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7. Investigation. The hero investigates, and finds out the truth behind the horror.&lt;br /&gt;
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8. Showdown. The final confrontation. The hero has to face both his fear and the monster. The hero utilizes his brain, rather than muscles, to outsmart the monster. (At the finish of &amp;quot;The Village&amp;quot; the blind girl tricks the monster to fall into the hole in the ground)&lt;br /&gt;
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9. Aftermath. Everything's back to the way it was from the beginning -- but the hero has changed for the better or for the worse. (At the finish of &amp;quot;Indicators&amp;quot; Mel Gibson puts on his clerical collar once more -- he got his faith back)&lt;br /&gt;
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ten. Evil Lurks. We see evidence that the monster might return somewhere..somehow..in the future..(Nearly all &amp;quot;Friday The 13'th&amp;quot;-films end with Jason showing indicators of returning for an additional sequel)&lt;br /&gt;
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Go for it. Excellent luck! [http://naradesign.net/wiki/index.php?title=What_is_Muscle_Creating_Food monster mass]&lt;/div&gt;</summary>
		<author><name>173.237.182.86</name></author>
		
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